Fonds 110 - John Hammond

Titre propre

John Hammond

Dénomination générale des documents

  • Document iconographique

Titre parallèle

Compléments du titre

Mentions de responsabilité du titre

Notes du titre

  • Source du titre propre: Title based on contents.

Niveau de description

Fonds

Cote

CA MtA 110

Mention d'édition

Mentions de responsabilité relatives à l'édition

Mention d'échelle (cartographique)

Mention de projection (cartographique)

Mention des coordonnées (cartographiques)

Mention d'échelle (architecturale)

Juridiction responsable et dénomination (philatélique)

Date(s)

  • [1871?] (Production)
    Producteur
    Hammond, John

Description matérielle

124 slides

Titre propre de la collection

Titres parallèles de la collection

Compléments du titre de la collection

Mention de responsabilité relative à la collection

Numérotation à l'intérieur de la collection

Note sur la collection

Nom du producteur

(1843 - 1939)

Notice biographique

John Hammond (1843-1939) was born in Montreal. He was eleven years old when he decided to become an artist. He received his early education in Montreal, and as a young man travelled to London, England, and then to New Zealand with his brother to pan for gold. In 1870 he returned to Canada and joined the Transcontinental Survey Party which was engaged for the purpose of making preliminary studies for the building of a railway, travelling as far as Yellowhead Pass. In 1871 Hammond was employed with Wm. Notman Photographers in Montreal. It was there that he worked with artists J.A. Fraser, Henry Sandham, Otto Jacobi, and W. P. Weston. In 1873 he was elected a member of the newly formed Ontario Society of Artists, and became a full time painter. In 1880 he was in Saint John where he painted portraits, and worked with photographer and artist James Notman of Wm. & J. Notman, a branch office of the Montreal business. He traveled to Europe to study painting in France, Holland, and Italy, in Belgium with James McNeill Whistler, and in Barbizon with Jean-Francois Millet. He won several awards and was elected Associate of the Royal Canadian Academy in 1890, and became a full member in 1893. He was commissioned by Sir William Van Horne, founder of the CPR, to do a number of large murals and paintings depicting the scenery of Western Canada and the CPR’s part in opening the West. John Hammond, who had been Principal at the Owens Art Institution in Saint John, NB, accepted the position of Director of the School of Art at Mount Allison in 1893, remaining in that position until he retired in 1919. In 1930 Mount Allison conferred on him an honorary LL.D. degree. He married Miss Ackers in the mid 1870's, and 2 years after her death in 1900, he married Katharine J. Stark, a member of the Mount Allison Conservatory staff. Their daughter Katharine Elizabeth was born in 1907. Mr. Hammond died in Sackville in 1939 at the age of 96.

John Hammond, a painter of landscape, seascape, and mountains, had an interest in the railway. In 1871, he had been a member of the Transcontinental Railway Survey Team, assisting William Notman in compiling a photographic record of their journey.

Historique de la conservation

Information about the custody of these records prior to acquisition is incomplete.

Portée et contenu

Fonds contains Canadian Pacific Railway lantern slides. Numbered 2-169 (with gaps), the slides comprise scenes along the CPR from Annapolis Valley, Nova Scotia, to Vancouver Island, British Columbia.

État de conservation

Source immédiate d'acquisition

Acquired from the estate of John Hammond by Dr. Julius Frank, and donated to the Archives, 1992

Classement

Langue des documents

  • anglais

Écriture des documents

Localisation des originaux

Disponibilité d'autres formats

Restrictions d'accès

No restrictions

Délais d'utilisation, de reproduction et de publication

Instruments de recherche

Inventory available at repository

Éléments associés

Éléments associés

Accroissements

Description matérielle

Slides are 8 cm x 10 cm and coloured. Several slides are identified as being coloured by Marie A. Saucier. The images are undated but are probably early 1900's to 1920's. The slides were not identified, but have been described with the assistance of Dr. Peter Ennals, Department of Geography, who supplied names for several buildings and places.

Identifiant(s) alternatif(s)

Numéro normalisé

Mots-clés - Lieux

Mots-clés - Noms

Mots-clés - Genre

Identifiant de la description du document

Identifiant du service d'archives

Règles ou conventions

Statut

Niveau de détail

Dates de production, de révision et de suppression

Langue de la description

Langage d'écriture de la description

Sources

Zone des entrées

Personnes et organismes associés

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Genres associés