- CA FRM MS84
- Fonds
- 1838 - 1956
The PANB holds the George Taylor fonds of photographs (P5).
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The PANB holds the George Taylor fonds of photographs (P5).
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This fonds documents aspects Julia Catherine Beckwith Hart's literary career and personal life. It includes original manuscripts of Edith or the Doom (volumes 1 and 2), letters, reviews, and biographical material including letters from David Bugbee, J. Hammond, John S. Saunders, and George Roberts.
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This fonds contains 123 watercolours of NB wildflowers painted by Elizabeth Beckwith Hazen. Most are dated between 1867 and 1873.
The watercolours that are stored in Box 1 (1 - 52) are loose, and mostly undated. The watercolours in Box 3 (53 - 121) are part of a book New Brunswick Wild Flowers and are loose, with some dates. Many of the watercolours were matted for exhibits. The mattes have since been removed and are stored in Box 2.
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This fonds contains material related to the history of Ministers Island. It includes a transcription of an interview with Wade Veinotte, who used to work on the island, as well as reports, feasibility studies, and development plans related to proposals to turn Ministers Island into a Provincial Park or other cultural resource, essays on the history of the island or the Van Horne family, photocopies of historic publications on the Van Horne family property and Sir William Van Horne, a booklet for an exhibition of paintings by Cathy Ross of artifacts belonging to the Van Horne family on Ministers Island, and transcriptions of original legal documents and correspondence related to the first European occupants of Ministers Island, John Hanson and his family.
This fonds contains mostly correspondence, articles, newspaper clippings, and exhibition catalogues relating to Pegi Nicol MacLeod, Canadian artist and long-time friend of Madge Smith. This fonds also contains 70 photographs taken by Smith during the late 1930s. Subjects of these photographs include places, such as the Fredericton Golf Course and the Oromocto Flats; winter scenes; and animals, such as horses and cats.
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This fonds consists largely of thank you notes received by the Fredericton Art Club from Lord and Lady Beaverbrook and/or his second wife, the former Lady Dunn, for gifts or greetings sent. Secretaries or other agents of the Beaverbrook family wrote a few letters on behalf of the family. The fonds also includes drafts of some of the letters written by the club to the Beaverbrook family.
Also included are the replies the Club received from Lord Beaverbrook and/or his wife, and from Harriet Irving and Olymbia Kedros respecting invitations to special events. Of particular interest is a handwritten copy of a tribute to Lord Beaverbrook.
Arrangement is chronological.
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Gilbert and Sullivan Society of Fredericton
This fonds contains materials relating to the activities of the Gilbert and Sullivan Society of Fredericton (New Brunswick) over its first five years and to the public responses received to its musical performances.
There are 10 scrapbooks, each containing textual material, newspaper clippings, and photographs chronicling the staging of a production, including scripts, rehearsals, programmes, tickets, advertising, and reviews. Musical productions represented include Palace of Varieties (1979), Iolanthe (1979), Victorian Cabaret (1978), The Mikado (1980), Pirates of Penzance (1976), An Evening with Gilbert and Sullivan (1976-1979), Patience (1977), Fools and Lovers (1977), and Gondoliers (1978).
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"Beginners please; my life in amateur theatre"; by Bert Williams
This is a photocopy of a bound volume of Bert William's "Beginners Please My Life in Amateur Theatre". The work discusses his early life, including growing up in a working-class neighbourhood of Bolton, Lancashire, England; attending school; and working at various occupations while a young boy -- in a factory, in a cotton mill, and for several cinemas. He also comments on his early years in amateur theatre, the Workers' Educational Society, the First World War (Great War), the Second World War, and his work in adult theatre, both in England and in Canada, as a director, actor, and stage hand . The volume also includes photocopies of newspaper clippings, correspondence, and theatre programmes.
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