This fonds conists three series: Series 1 - contains negatives produced by Thaddeus Holownia for the sesquicentennial publication "The History of Mount Allison University, 1839-1989", 1989. Not all of the images appearing in the publication are represented in this accession. Many were produced from photographs in the archives holdings, a few from other sources (possibly the Alumni Office), and others from his own photograph/negative collection. Where more then one negative for an image was produced, the one used for publication in not identified.

Series 2 - contains material related to exhibitions; publications with Thaddeus Holownia’s photography; and published or printed by the Anchorage Press.

Series 3 - contains a copy of "Dykelands, Photographs by Thaddeus Holownia & Poems by Douglas Lochhead", published by McGill-Queen’s University Press, 1989; and photographs, including plates for "Dykelands", a portrait of Thaddeus Holownia, and Douglas Lochhead and a panoramic view made up of three photo prints.

Fonds consists of personal, biographical and family documents, citations, certificates, invitations, programmes, correspondence, war and political activities, radio and publishing ventures, speeches and addresses, sculpture projects as well as photographs, negatives, positives and reproductions. These are accompanied by scrapbooks containing clippings concerning a tour by the U.S. for Belgium Relief Committee, exhibitions of her works, speaking engagements and an audio tape cassette "The Communist Conspiracy", 1966. The contents of the fonds document the varied interests and achievements of this woman noted for her support of Belgian war efforts during the First and Second World Wars. This was followed by a career as spokesperson for Republican and conservative values in the United States through seeking public office, lectures tours and assisting with the creation of new political parties. Her main focus was on the creation of artworks and teaching and sharing her talents via lecture tours. Many noted individuals were sculpted and immortalized at the hands of Suzanne Silvercruys.

Fonds consists the original copy of a Register of Sponsors of the Sackville Citizens Band, 1904

Fonds documents the Sackville Art Association's work to support and promote art in the local community through exhibitions, lectures and public education activities. Series consist of minutes of meetings, 1945-1979; correspondence files, 1959-1984; newsletters, 1968-1985; exhibition lists and catalogues, 1919-1984; some Moncton Art Society newsletters, 1978-1981.

Fonds consists of a newspaper clippings about First Presbyterian Church in Oklahoma City, Oklahoma, a list of writing titles and a numbered series of correspondence and stories that were created by Margaret Duncan Borden. When between 70 and 75 years of age, Borden wrote a series of forty short stories, reminiscences and letters. She typed a number of carbon copies and sent them from her home in Oklahoma to her grandchildren, including those in Little Shemogue, New Brunswick. Some of the recollections refer to Little Shemogue and Borden’s childhood experiences there, including information about prominent Covenanter families in the community; others relate incidents later in her life, as wife and mother, raising a family with her clergyman husband. Some of the stories indicate date and place of origin, some do not.

Fonds consists of a script for an address given by Mabel K. Day at the opening of an exhibition; an outline for an unidentified six week art course; a certificate awarded to Mabel Killam Day by the Associated Artists of Pittsburgh; photographs, containing Mabel Day or Frank P. Day; cuts of Frank Parker Day portrait and of a scene, “The White Village, N.S.”, probably a painting by Mabel K. Day; and cards designed by Mabel K. Day.

Fonds consists of two volumes of autograph albums; one of which is referred to as a Philopoena Album. The contents of the fonds are predominantly populated with signatures and salutations from fellow Allisonians and members of her wider family. The contents of the albums frequently indicate whether the person had died or in the case of women who they married.

Fonds contains Canadian Pacific Railway lantern slides. Numbered 2-169 (with gaps), the slides comprise scenes along the CPR from Annapolis Valley, Nova Scotia, to Vancouver Island, British Columbia.

Fonds consists of 9 series: John Hammond's sketch book; John Hammond's diary, June - December 1871; photographs; exhibit tickets; letter from Great Britain's Office of the Privy Council, London, England, granting John Hammond, British subject of Canada, permission to travel freely on the continent, 1887; clippings regarding John Hammond's exhibitions and career; biographical sketch of John Hammond; letter to John Hammond from the Director of The National Gallery of Canada, 1915; and John Hammond's paint box.

Collection contains copies of notes on the traditional, folk, and Gaelic songs, from the Maritimes, contained on the discs made by Helen Creighton for the Archives of Folklore Division, Library of Congress, Washington, 1943-44, and 10 audio reels, on which the songs are recorded.

Also includes thank you letter from George Proctor, Professor and Head of Music Department, 1971, to Helen Creighton, for a letter and the transcriptions of the songs collected.